A Brand New End: Survival and its Pictures, The Print Center
A History of My Pleasure, 14a
The History of My Pleasure, Museum of Contemporary Photography (Chicago)
Arrangements, Images Vevey (CH)
A melon, a pineapple, an olive tree, an emerald, and a fox in the snow
Looking Forward to Being Attacked, Sculpture Center
Consciousness Raising, Bemis Center
Breaking Water, CAC, Collaboration with Calista Lyon
Body/Index, Stene Projects
Camouflage, Stene Projects
Daegu Photography Biennial, South Korea
Fire On World, Anderson Gallery (VCU)
Lesbian Lands, Columbus Museum of Art
HUNGER, Signs & Symbols
I, too, overflow / Woman must write herself
The Bonafides, NADA Miami, Fortnight Institute
Nada (NY), Skibum McArthur
My Birth, Museum of Modern Art (NY)
Pictures of Women Working, Columbus Museum of Art
Passing On, Cleveland Museum of Art
The Answer Is Matriarchy, Wexner Center for the Arts
The Making and Unmaking of the World
The neighbor, the friend, the lover, Kunsthal Charlottenborg
The Fall of The Modern Empire
Togethering, Fortnight Institute
W.A.R., Cave (Detroit)
What it's like to be, Printed Matter Inc.
Who Says Pain is Erotic?, Fortnight Institute (NY)
XYZ-SOB-ABC, CONTACT Festival, Toronto
What It's Like To Be, ICA Boston
Why are these our only alternatives and what kind of struggle will move us beyond them?, MUAC
You are a spiritual being having a human experience, Frieze (NY)
White Ink, Leslie Tonkonow Artwork + Projects