A Brand New End: Survival and its Pictures, The Print Center

A History of My Pleasure, 14a

The History of My Pleasure, Museum of Contemporary Photography (Chicago)

Arrangements, Images Vevey (CH)

A melon, a pineapple, an olive tree, an emerald, and a fox in the snow

Looking Forward to Being Attacked, Sculpture Center

Consciousness Raising, Bemis Center

Breaking Water, CAC, Collaboration with Calista Lyon

Body/Index, Stene Projects

Camouflage, Stene Projects

Daegu Photography Biennial, South Korea

Fire On World, Anderson Gallery (VCU)

Lesbian Lands, Columbus Museum of Art

HUNGER, Signs & Symbols

I, too, overflow / Woman must write herself

The Bonafides, NADA Miami, Fortnight Institute

Nada (NY), Skibum McArthur

My Birth, Museum of Modern Art (NY)

Pictures of Women Working, Columbus Museum of Art

Passing On, Cleveland Museum of Art

The Answer Is Matriarchy, Wexner Center for the Arts

The Making and Unmaking of the World

The neighbor, the friend, the lover, Kunsthal Charlottenborg

The Fall of The Modern Empire

Togethering, Fortnight Institute

W.A.R., Cave (Detroit)

What it's like to be, Printed Matter Inc.

Who Says Pain is Erotic?, Fortnight Institute (NY)

XYZ-SOB-ABC, CONTACT Festival, Toronto

What It's Like To Be, ICA Boston

Why are these our only alternatives and what kind of struggle will move us beyond them?, MUAC

You are a spiritual being having a human experience, Frieze (NY)

White Ink, Leslie Tonkonow Artwork + Projects